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Working Together for Wildlife
Painting with Soil
Grade
Level:
All Grades
Time Required:
advance collection and preparation time plus one to two class periods
of 45 minutes for the activity
Objectives/Goals:
1. Students will be able to use scientific terms to describe soils.
2. Students will be able to identify at least two methods used by farmers
to protect soils.
3. Students will understand how soil colors relate to soil makeup.
4. Students will develop perceptual skills and be able to discuss art
elements using appropriate vocabulary.
Curricular
Areas:
Listening, observing, sketching, painting, color experimentation, creative
expression, aesthetic valuing, researching, earth sciences.
Overview:
1. A teacher lecture introduces geologic vocabulary and concepts, as well
as visual arts terms.
2. Students mix palettes, sketch, and paint an abstract, a landscape,
or an animal.
3. Students discuss their creations from a visual arts perspective.
4. A homework assignment has students investigating the causes of various
soil colors.
Lesson's
Concepts:
1. The Earth's soil is a vital natural resource that requires our care
and protection.
2. Soils come in a variety of colors based upon their makeup, and soils
can reveal properties such as drainage and organic and mineral content
in a given region.
3. Visual arts allow students to express their emotions and opinions without
using words.
Materials
Needed:
- soil samples
(dried in air)
- hammer/mallet
- mortar
and pestle (or use a bowl and a wooden spoon, or a rolling pin and a
ziplock bag)
- paper
cups (4 oz.)
- pencils
and ink pens
- paintbrushes
(a variety of round and flat, miscellaneous sizes)
- sponges
and cloths
- artist
acrylic, clear gloss medium (from arts and crafts stores; for younger
students, use white or clear Elmer's glue)
- paper
(watercolor paper if available)
- masking
tape
Preparation:
1. Before class, gather soils of various colors, recording when and where
the samples were collected, as well as by whom. Hint: During vacation
or weekend outings collect samples from around California to add to your
soil palette. Have students bring in samples as well.
2. Place each dried soil sample on a piece of paper and crush into pieces
with a hammer or mallet. Place some of the crushed soil into a mortar
or bowl and grind it further into a fine powder. Repeat this process to
crush all of the different colored soils.
3. Place the different soils in paper cups.
4. Place the cups of soil, pencils, pens, paper, paintbrushes, artistic
acrylic, sponges, cloths, and masking tape at each group project table.
Procedure:
1. Gather the students and introduce the activity for the day. Use the
information in the teacher lecture to discuss the activity from both the
soils and artistic perspectives. Explain that soil is important to all
living things, and that farmers use several methods to protect the soil
on their land.
2. Show the students the various soil samples. On the board, write the
location where each sample was collected. Have the students describe the
color (reddish, gray, dark brown, black, etc.) and texture (gritty, soft,
etc.) of each soil type. Record the descriptions on the board next to
each sample listed.
3. On paper with a pencil, demonstrate how to lightly sketch an abstract
design, a landscape, or an animal. Discuss the use of shape/form, line,
texture, and space in art and compare to the environment. Talk about how
complementary colors, proportion, harmony, and contrast convey messages
or emotions to the audience.
4. Have the students proceed with creating their own drawings. When students
are satisfied with their compositions, have them use ink to make permanent
lines. With masking tape, carefully tape the paper's edge to the table
so that the artwork will dry flat.
5. Have students pour very small amounts of artistic acrylic (or use Elmer's
glue for younger students) into each cup of soil and mix until the desired
color/consistency is reached. Thin with water if necessary. Encourage
students to experiment with mixtures to create different colors.
6. Have students use paintbrushes, sponges, and cloths to paint their
drawings. Walk around the room offering encouragement and assistance.
7. Let the artwork dry. Students may apply another layer of soil if desired.
8. Have a few students offer their completed projects for a group discussion
of aesthetic valuing. Have the students compare and contrast elements
and emotions generated by the projects, using appropriate artistic vocabulary.
Discuss cultural influences, possible interpretations, etc. Identify each
project's successful composition qualities.
9. Assign a homework project in which students investigate the soil characteristics
that result in one or more of the colors used in their project. See the
chart on Possible Sources of Soil Colors and visit related websites. Here
are a few suggestions:
Assessment:
1. To evaluate the performance of students during this activity, use the
Soils Activity Assessment.
2. A portion of the score may also be given by having each student assess
their own art project. Have them use the group discussion of aesthetic
valuing (#9 of the procedure above) as a guide. Students can also describe
any changes they might make to improve their project. Have them apply
a score of 1 to 10 for how closely their assessment matches their original
objective.
Follow-up/Extensions:
1. Learn more about soils by creating edible soil horizon desserts. Visit
http://www.ctic.purdue.edu/CTIC/CTIC.html
for information and a recipe.
2. Have students
write poems to accompany their art, attempting to capture the same emotions
generated by the images themselves.
3. Study
the designs of a variety of nature artists. Discuss various styles and
use of media. Compare representational versus abstract, two-dimensional
versus three-dimensional, symmetrical versus asymmetrical, fine versus
folk, historical versus modern, etc. Consider the works of these and other
artists in your evaluation:
Painters:
Georgia O'Keeffe, Harry Curieux Adamson, Robert Bateman, Salvador Dali,
Bev Doolittle, Sherrie Russell Meline, James Audubon, Li Cheng, Robert
Steiner
Carvers: Harold MacGillivray, Fresh-Air Dick Janson, Charles Bergman,
Richard Loging
Sculptors: Meg White, Bill Hunt, Robert Deurloo
4. Have the
students volunteer to help reduce soil erosion at a local site. They can
work with the landowner or manager to plant native vegetation along the
edges of a creek or river. Or they can help educate local landowners about
the benefits of growing grasses and plants on unused fields to hold soils
in place. For more information on erosion control, visit http://soils.usda.gov.
Vocabulary:
aesthetic, abstract, chroma, composition, contrast, erosion, folk art,
geology, hardpan, harmony, hue, Munsell, palette, proportion, representational,
soil, soil horizon, soil type, symmetry, texture, value, windbreak
Teacher
Lecture:
Soil is a vital natural resource for farming and ranching, gardening,
wild habitats, and much more. Soil is made of crushed rocks (minerals),
organic matter such as decaying plants and bacteria and fungi, and various
gases that collect near the surface of the earth. Soil is arranged in
layers, called horizons. Each soil horizon is a unique mixture of minerals
and organic matter. Soil horizons are stacked on top of one another, creating
a unique soil type. Soil types are different all around the world, and
in California's Central Valley the dominant soil type is called San Joaquin
soil, named for the southern part of the valley. Crops such as rice, wheat,
almonds, oranges, grapes, and many others are all grown in San Joaquin
soil. Its characteristic hardpan, or densely packed, layer just a few
feet below the surface creates a barrier that holds water and creates
wetland habitats all along the valley during the wet winter months.
Soils are naturally removed by wind and water through the process of erosion.
Keeping soil from washing or blowing away is an important task for farmers
and ranchers. Farmers plant rows of trees called windbreaks to protect
fields and pastures. They also grow grasses and plants on unused fields
so the soil will be held in place, helping to decrease soil erosion. This
provides habitat for wildlife.
Color is
one of the ways scientists can determine the properties of soil in a given
area. Soil color is measured by three factors: hue, value, and chroma.
Hue is the rainbow color (red, green, blue, etc.). Value is the degree
of darkness, and chroma is the purity or intensity of the color. Soil
scientists use a color system developed by Albert Munsell in 1905 to most
accurately evaluate soil color. Munsell was a painter and art teacher.
Soils are valued for the beauty their many colors add to our landscapes.
Black, red, yellow, white, brown, and gray are all soil colors, and the
colors reveal each soil's characteristics (challenge the students to research
what the different colors mean). The color and texture of soil painting
helps students appreciate soils for their function and for their beauty.
Students
of art should be familiar with some key terms, which will help in discussions
and evaluations of visual art projects. Shapes refer to the objects
in a drawing or painting. Space is the empty area surrounding the
shapes. Form refers to the profile or outline that the shapes make
up. Lines are the two-dimensional edges defining the form. Texture
is the three-dimensional surface of the art. Proportion is relating
one part of the artwork to another. Colors that work well together are
opposite each other on the color wheel (red complements green, blue complements
orange, and yellow complements purple); these are called complementary
colors. Contrast is the difference between the highlights and
the darks in art. Discussions of harmony refer to how well all
the aspects of the art work together.
Answers:
1. For the homework assignment on soil colors, refer to the following
chart. Keep in mind that colors can indicate several things. For instance,
black topsoil can mean it has a lot of decomposed organic material. Lower
in the horizon black might mean the soil has a high manganese content.
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Possible
Sources of Soil Colors
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| Black
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*
highly decomposed organic matter (for topsoils)
* high manganese content (lower in the horizon) (good drainage) |
| Red
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*
oxidized iron minerals (and good drainage) |
| Yellow
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*
high organic matter (poor drainage) |
| White
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*
salt buildup in arid areas that have a high evaporations rate
* calcium or magnesium carbonate content |
| Brown
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*
partially decomposed organic matter (for topsoils) |
| Gray
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*
soils with poor drainage
* parent materials such as quartz sand and marl |
Credit: This
activity was adapted from the USDA Natural Resources Conservation Service
soils web page: http://soils.usda.gov/education/resources/k_12/.
For other
soil activities, visit the National Association of Conservation Districts
website at www.nacdnet.org/. Click
on "education," then "soil and water stewardship"
to find 2004 Soil and Water Stewardship Materials and read The Living
Soil.
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